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Firstly there's this excellent article from 2004 by Jon Ronson called Citizen Kubrick about how he was invited to Stanley Kubrick's estate after his death and allowed roam through his archive of boxes. It's fascinating, makes you wish it was still there so you could go too. There's also a sense, as the Citizen Kane reference implies, that there's more here than simply a newspaper article; there's a short story, novel or film asking to be made, an exploration of a man's life, of cinema and obsession, through the immaculately-catalogued debris of his life. A kind of Krapp's Last Tape, maybe, except with boxes, personally designed, with easy-to-remove tops.
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Another insight into a master director's work came from Jeff Desom, who atomised Alfred Hitchcock's Rear Window and then put it back together as a panoromic view of the film's famous courtyard. Originally a 20-minute loop, here it's been condensed into a three-minute timelapse. For an explanation of how it was made go here and for an interview with its maker here.
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Sometimes not living in a city sucks, especially when it comes to film screenings. Like, for instance, London's Future Cinema, who are showing an interactive screening of Bugsy Malone where the audience get to dress up as gangsters and flappers in a mock-up of the film's Prohibition speakeasy, Fat Sam's, with the whole thing ending in a real custard pie fight. Looks like great fun.
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